Nach einer doch etwas längeren Pause und (Wieder-)Findungsphase ist es an der Zeit, deconarch.com wieder zu bespielen. Aus zeitlichen Gründen wird deconarch.com in… more »
Christmas Break 2018
Der ein oder andere mag sich schon gewundert haben – es ist in der letzten Zeit recht ruhig auf deconarch.com. Der übliche Vorweihnachtswahnsinn… more »
Letzter Vorhang | Anna LEHMANN-BRAUNS in Berlin
Spaces are the central motif in the work of Berlin photographer Anna Lehmann-Brauns. She finds them in hotels, discos, theaters, cinemas, clubs, bars… more »
The Potemkin Village | GREGOR SAILER in Berlin
For »The Potemkin Village« (2015-2017) Gregor Sailer (b. 1980 in Schwaz, AT) went looking for mock architecture worldwide. The proverbial term refers to… more »
Späte Einsicht | Matthias STUCHTEY in Nürtingen
Stuchtey offers something that is rarely to be found in the visual arts: the understanding of architecture as a complex image of physicallity.… more »
Silence | Gabriela TORRES RUIZ in Berlin
With a keen sense for the poetic interplay of light, color and space, photographer Gabriela Torres Ruiz contrasts landscape motifs and interior photographs… more »
Garage Stills | Jacquie Maria WESSELS in Antwerp
For her Garage Stills project, Jacquie Maria Wessels is looking for classic car repair garages all over the world. She is fascinated and… more »
Rattenhausen | SABINE WILD in Berlin
Berlin-based photographer Sabine Wild, known for large-format alienation images of buildings and urban landscapes (find out more in our deconarch.com interview!), has documented… more »
Das Glashaus | Michael CARAPETIAN in Berlin
The „maison de verre“ (1931) by Pierre Chareau is a residential building in Paris. Its facade, an opaque glass wall, made it an… more »
Schnittmengen | MARC DITTRICH in Karlsruhe
Why do architects make art? Why do visual artists deal with architecture? A new series of exhibitions at Architekturschaufenster Karlsruhe focusses on contemporary… more »
